That’s why I was compelled to immediately draw dog legs, albeit thick ones. There was an elegance to the black fur overlapping the dog’s brown legs. When comparing the horse and the bull’s belly, I thought that both the stockiness and slenderness of the overlapped animal collective would add an entirely new characteristic to my Phooka creation. Here, I used a second layer to shape-up the line work. I think I had also decided to use the setter’s snout, however something like that can be made with finer detail on a different layer and beside, I may change my mind about the snout’s original owner. seeing how this canine species seemed to have a large tall skull with horns coming out of it, I leapt onto this premise giving a majestic horned and hairy creature the droopy mouth of the Gordon setter. My favourite part here was integrating both the canine and bull’s head together. Unusual appearances can create very clear creature distinctions when shot from afar or in a less focused way. I contemplated using this because of how strangely shaped it made the Phooka look. my Phooka’s rear notably smaller than the the highland cow as well as the horse. The initial experimentation with rough sketching made was used to make a vague out line of the overlapped creatures, treating them as one animal. It was the one made by Matt Kohr giving guide lines for digital drawing. With another Photoshop window stacked vertically, alongside the overlapping animals, I used knowledge acquired through the video provided by Jordan.
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